Celebrate the legendary Air Jordan 3 with a new “Patchwork” makeover. Since its 1988 release, the Air Jordan 3 has distinguished itself as a stylish, bold staple. And everyone loves it for its premium materials, unique colors, shapes and construction.
The upper of the Air Jordan 3 is inspired by surplus fabrics and retro military supply stores. It features three camo patterns (Woodland, Rain and Oak Bark) as well as waxed canvas, herringbone, fur and twill materials. You can swap out the Nike Air and Jumpman logo patches.
This shoe features white leather and forest green accents, making it perfect for any outfit. The low-profile silhouette and rubber cupsole provide superior comfort and durability, while the soft EVA cushioning ensures hours of cushioned wear.
Converse and Todd Snyder have created a new collection that’s a thoroughly modern mash-up of streetwear (hoodies, joggers) and elite wear (tweeds and British Millerain’s waxed cotton). Since launching his eponymous label in 2011, Todd Snyder has redefined how modern American men can present themselves to the world in stylish, unexpected ways.
From luxurious takes on essential items to bespoke tailoring, Snyder’s creations show that good style can be attainable and even playful.
Made with fabric from British Millerain, Todd Snyder’s new Chuck 70 blends storied sophistication with iconic street style while he has once again re-worked the Jack Purcell. This time outfitting the casual classic with British Millerain waxed canvas and a distinct camo print.
The 9060 is a new expression of the refined style and innovation-led design of the classic 99X series. The 9060 reinterprets familiar 99X elements with a warped sensibility inspired by the proudly futuristic, visible tech aesthetic of the Y2K era. Sway bars, taken from the 990, are expanded and utilized throughout the entire upper for a sense of visible motion, while wavy lines and scaled up proportions on a sculpted pod midsole place an exaggerated emphasis on the familiar cushioning platforms of ABZORB and SBS.
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